Tag Archives: extra

The "Seven With Another" Concept: Fourteen People - Seven Teams - One IDEA: Create something different.

The “Seven With Another” Concept: Fourteen People – Seven Teams – One IDEA: Create something different.

“By inviting seven pairs of creatives from diverse fields to work together, we’re challenging them to look past their vastly different creative processes and skill sets and concentrate instead on what they do best – being creative.” Seven with Another.

The Seventh Edition of Seven with Another once again uniquely matched the pick of local creatives including a Maker and a VFX Director; a Musician and a Tattoo Artist; a Copywriter and an Architect; an Industrial Designer and Fine Artist; an Art Director and Fashion Designer; a Director/Photographer and Textile Designer; and last (but definitely not least) a Multimedia Artist and Performing Artist.

Seven with Another opening event. Photography christina Waterson.

Kory MCAvoy (Art Director, Enginegroup) and Fashion Designer Deanne Mayocchi’s Installation behind. Photography Christina Waterson.

Seven with Another opening event. Photography christina Waterson.

A refreshing mix of guests from a diverse range of professions. Photography Christina Waterson.

Seven with Another opening event. Photography Christina Waterson.

Hailey Bartholomew (Director/Photographer at You Cant Be Serious) paired with Erin Lightfoot (Textile Designer). Photography Christina Waterson.

Seven with Another opening event. Photography christina Waterson.

Hailey Bartholomew (Director/Photographer at You Cant Be Serious) paired with Erin Lightfoot (Textile Designer). Photography Christina Waterson.

“The creative process can be very insular. No matter whether you’re a fine artist, a designer, a developer or a writer, coming up with – and executing – ideas can be a lonely process involving just you and your imagination.” Seven with Another

Seven with Another opening event. Photography christina Waterson.

Marianne Harvey (Copywriter) and Paul Owen’s (Architect) work floats above guests. Photography Christina Waterson.

Seven with Another opening event. Photography christina Waterson.

Maker, Adam Meisenhelter (Doppelfactory) teamed with Zenon Kohler (VFX Director) from Cuttingedge to make the striking cabinet in the background. Photography Christina Waterson.

It is often at the edges that the most exciting things happen and this is where Seven with Another successfully pushes the possibilities of what can come through collaboration;

“The resulting collaborative artworks could be disasterous, or they could be truly mind-blowing, but what they definitely won’t be is boring.” Seven with Another.

Seven with Another’s Co-Founders Monique Kneepkens (Fries Need Mayonnaise) and Jessica Huddart (Creative Director at Josephmark or JM) are just as extraordinary as the creatives they bring together. Their passion ensures each new edition continues to evolve. To celebrate the seventh year, a selection of collaborative duos were invited back from each edition to share their experiences in a series of insightful public talks at the Brisbane Powerhouse.

Seven with Another opening event. Photography Christina Waterson.

Seven with Another’s opening event at the Brisbane Powerhouse, 11 July 2013. Photography Christina Waterson.

The opening night was extremely refreshing because guests originated from a broad range of professions and interests; a true sign of success and Seven with Another’s wide reaching support. The Eighth Edition is expected to once again break new ground; create new conversations between unlikely creative pairings and offer a unique platform to imagine beyond the edges of professions.

For more information on the participating creatives, past editions or upcoming events please visit Seven with Another’s website and Facebook page!


Depth of Field written by Kirril Shields for (Inside) #72 pg 96 -100.

I am proud to share with you an article about my practice just published within the pages of (Inside) #72 Magazine; called Depth of Field, written by Kirril Shields.

It is special to have a treasured moment like this. To share with a wide audience, listen to what other people make of my projects, to reflect, to gain perspective and celebrate the people who contribute to my practice.

Beautiful layout by Niche Media. Special Thanks to Leanne Amodeo (Editor) and Kirril Shields (Writer).

Thank you to my photographers Jon Linkins, Christopher Frederick Jones, David Sandison and Tobias Titz. All have imagery featured in this article (captured over many years). Thank you to clients and collaborators such as Aurecon and Cox Rayner Architects.

Thank you to the makers and suppliers including Palamont: art in manufacturing, Rockpress, Everything Metal, B&S Washers and Reverse Garbage.

Thank you to the venues that hosted the exhibitions and installations including The Brisbane Convention Centre, The State Library of Queensland and Pin-up Project Space, Melbourne.

Thank you to the organisations that have supported research, development, realisation and exhibition of the works featured via Grants, Fellowships and Sponsorship including Arts Queensland, The Brisbane City Council, The Winston Churchill Fellowship Memorial Trust, The Australian Council for the Arts and


Thank you to the people that inspire me; peers and confidants. My love to family and friends. Such support!

Yes the list is long. It would be remiss of me to say I did it all on my own. It does actually take many passionate individuals and organisations and in-depth conversation and massive amounts of true belief. 

Inside #72 Cover

You can read the full Depth of Field article online at or BETTER STILL head to your news stand and get a copy in the flesh. I have to say (Inside) #72 presents a wealth of Australian Design talent including interviews with Kate StokesJohn Goulder, and Design by Them just to name a few…

Waking to Kampong Glam.

Waking up in an unfamiliar place can be really beautiful. The street noises, the comings and goings of guests, and light are quite different and specific to the place. Singapore is no exception.

I am staying in Kampong Glam, the Malay/Arab enclave of Singapore. My hotel is within walking distance of the Sultan Mosque, heritage shop houses, and colourful textile and carpet shops.

I awoke to the sound of an extremely strange noise. A loud wolf whistle, followed by a screech, then another wolf whistle. What the hell was that!

Looking out

I opened the beautiful doors and shutters that front the street and listened for the noise again… and there on the other side of the street was a little house with two bird cages on either side of the entrance.

Beautiful Bird having a little rest as the street wakes up.

I have nicknamed him Gonzo Bird. I have become quite fond of him.

I watched as a man walked past the bird cages. One of the birds let out another sweet loud wolf whistle. This bird has real character! After he let out another deep screech (like a car skidding around a corner), a car lock beep beep noise and another wolf whistle, I broke into uncontrollable laughter.

Guests start to arrive for the launch of the Why We Create series within TRACE at Pin-Up Project Space, Melbourne. Photography James Braund.

Invited guests from a diverse range of fields including Art, Design, IT, Engineering, Law, Media and Education joined the How We Create team for the Lunchtime Launch of the Why We Create Series.

The Why We Create initiative (founded by How We Create and I) seeks to spark a wider conversation about the process and value of design-led thinking in Australia. Interviews, discussions and public forums are occurring parallel to events that will take place across Australia over the next 12 months. The Launch of this series was held within TRACE at Pin-Up Project Space in Melbourne, on 16 May 2012, and marked the close of the exhibition.

Yes that’s me passionately speaking at the event. Photography James Braund.

Norman Johnson from How We Create and Palamont: art in manufacturing launched the series. I gave an intimate presentation into why I create, and the importance of creatives engaging with the wider business community.

Nicholas Rogers (Parameter Space) and Alexi Freeman (Alexi Freeman). Photography James Braund.

Fleur Watson in conversation (Pin-Up Project Space). Photography James Braund.

Gini Lee (Melbourne University) through Scale Screen. Photography James Braund.

Matt Ward with Martyn Hook (background). Photography James Braund.

Joanna Bosse, Gini Lee (Back) and Christina Waterson. Photography James Braund.

Simone LeAmon in focus. Photography James Braund.

Patricia Lee (Back)( Palamont), Alexi Freeman (Alexi Freeman), Norman Johnson (Back) (Palamont and How We Create) and Nicholas Rogers (Parameter Space). Photography James Braund.

Guests enjoyed good conversation and a beautiful selection of light tastes created by our special local friends Cibi (head, hands, heart) accompanied by refreshing organic apple juice and Pimms cocktails all served by the fabulous Boys and Girls team.

Special Thanks to Melbourne based photographer James Braund who documented the event exquisitely and of course to the team at How We Create.

South Johnstone Mill, South of Cairns, Queensland.

I grew up in Bundaberg sugar cane country. Bundaberg is defined by its rich red volcanic soil and endless sugar cane fields. Millaquin and Bingera Mill process sugar cane within the Bundaberg district. I have many vivid memories of cane burning, sheds filled with piles of raw sugar, giant rum vats and rich sweet smells experienced during countless school excursions to these mills. It left a lasting imprint in my memory.

While travelling from Cairns to Mission Beach I had the chance to revisit two of my favourite North Queensland Mills: South Johnstone and Babinda Mill.

 The scale of industry and the honesty of the construction.

Process dynamism uncontrived composition.

The mills were very quiet during my visit. The crushing season is June/July and November/December. A hive of activity occurs during crushing and still guides the cycle of life within these communities.

Locomotives now transport tonnes of freshly cut cane to the mills via hundreds of kilometres of cane train tracks. Cane harvesters cut the cane green now. Gone are the days when the sky would be filled with the glow of afternoon cane fires.

Cane train crossing sign near Babinda Mill.

Before the invention of the cane harvester the cane was cut by hand. Many of the early cane cutters would build houses (The Queenslanders) in the off-season. The Queenslanders that are dotted around Northern Queensland are testimony to their labour and the plentiful supply of timber in the area. Queenslanders were built entirely of native timbers.

Babinda Mill, South of Cairns.

Their form reminds me of large boats!

I know it must sound strange ‘A girl like me completely moved by places like this’. But there are things I find in these places that speak to me directly. They remind me of my home town and childhood summers. These industrial spaces have dramatic volume and light; almost like the cathedrals and mosques I have since visited in my adult life. They also have an honesty in material and planning that respond to the process, scale of industry and function.

The patina of time, season and use.

Beautiful Green Efficiency: Tree Trunk covered with climbing plants as they try to capture every bit of sunlight.

Entangled vines under the canopy

Beehive Ginger

Smooth Bark Kauri Pine

Fan Palm Canopy

Leaves on the track

Bursts of Colour

A Curtain Fig makes a slow run for it as it bridges a wall

Curtain Fig Detail

View from Cairns Botanical Gardens’ Red Walk looking over Trinity Inlet to the Coral Sea.