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CMWaterson-Lorikeet-2015
JANUARY – Oh Lorikeet 2015. Photography Christina Waterson.
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FEBRUARY – Nomenclature 2015. Photography Christina Waterson.
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MARCH – Plexa Projection (William Jolly Bridge) 2015. Photography Christina Waterson.

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APRIL – Beach haze days 2015. Photography Christina Waterson.
CMWaterson Usnea Tassels 2015

MAY – Dream Lichen Tree 2015. Photography Christina Waterson.

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JUNE – Yellow Tailed Black Cockatoo Descending 2015. Photography Christina Waterson.
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JULY – Flourish Parts Await Finishing 2015. Photography Christina Waterson.

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AUGUST – Glass Light Shadow 2015. Photography Christina Waterson.

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SEPTEMBER – Brisbane Silhouette 2015. Photography Christina Waterson.

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OCTOBER – Palm Memory of Growth 2015. Photography Christina Waterson.

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NOVEMBER – Delicate Yet Everlasting 2015. Photography Christina Waterson.
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DECEMBER – Striated Pardalote 2015. Photography Christina Waterson.

See these and all photos from 2015 at my instagram.

 

 

 

View from the studio. Photography Christina Waterson.

View from the Studio in the hills with local wonder companion Benson who visits the studio daily. Photography Christina Waterson.

 

Textures and layering of surrounding. Photography 2015.

Textures and layering of beautiful landscape all around. Photography Christina Waterson.

I’ve enjoyed a studio sojourn since moving from my beloved long term studio in Brisbane. The move and new rural surroundings (with a great community of creatives and passionate people) have guided my work to new levels while allowing me to better balance work and life. I’ve had a deeper connection to nature (wildlife; seasons and natural cycles that inform my work) and to my inner self through the time and experience.

Studio in the Hills 2015s

View to great studio with focused work space fitted out with beautiful objects including Darcy Clarke’s Tuesday Collection (Construct work table and Hoopla feature pendant pictured). Photography Christina Waterson.

Many of the projects I’ve worked on throughout 2015 have been large-scale high stake projects, so having a good base has been essential to keeping it real; staying relaxed and focused; and remembering why I am an artist.

Thank you to  Darcy Clarke for sharing the most amazing studio in the hills with the sky and beautiful things all around!

 

Silky Oak in bloom. Photography Christina Waterson.

Silky Oak in bloom. Photography Christina Waterson.

I have had so many beautiful things make me smile and bring me joy over the last few months. A small selection is included here. You may notice that some of the images are in a square format. That’s because they are from my instagram account that I’ve been experimenting with. Check out more images and inspiration at my instagram.

Amazing visions of beauty by Fashion Designer and creative Force Gail Sorronda for her Mermaids Exist Collection. Pictured here is shimmering model Chelsea Crawford wearing the Undercurrent Neckpiece by Christina Waterson for Gail Sorronda. Hair by Redken Australia and Makeup by Mac Cosmetics.Photography by Megan Cullen. Photo Courtesy of Gail Sorronda.

Amazing visions of beauty by Fashion Designer and creative force Gail Sorronda for her Mermaids Exist Collection. Pictured here is shimmering model Chelsea Crawford wearing the Undercurrent Neckpiece by Christina Waterson for Gail Sorronda. Hair by Redken Australia and Makeup by Mac Cosmetics. Photography Megan Cullen. Photo Courtesy of Gail Sorronda.

Studio Artefact Student's work. I am pictured with Ross Summergreene as we critique our Studio's work for Project 1 in ARCH2200, University of Queensland. Photography by Daniel Byung.

Studio Artefact Student’s work. I am pictured with Ross Summergreene as we critique our Studio’s work for Project 1, ARCH2200 at The University of Queensland. Photography Daniel Byung.

Watching people watching fireworks. Photography Christina Waterson.

Watching people watching fireworks. Photography Christina Waterson.

Love for earthenware. Czech Deco circa 1920's to 30's by Ditmar Urbach pictured. Also sometimes known as 'Alienware' by US Collectors. Photography Christina Waterson.

Love for earthenware. Czech Deco circa 1920’s to 30’s by Ditmar Urbach pictured. Also sometimes known as ‘Alienware’ by US Collectors. Photography Christina Waterson.

Appreciating a unique moment after a storm. Photography Christina Waterson.

Appreciating a unique moment after a storm. Photography Christina Waterson.

Beautiful birdie vase from Cibi with a full tail of flowers by Minka. Photography Christina Waterson.

Beautiful birdie vase from Cibi with flower tail by Minka. Photography Christina Waterson.

The strange little things I collect, like these Japanese Sugar Sticks. Photography Christina Waterson.

The strange little things I collect like these Japanese Sugar Sticks. Photography Christina Waterson.

Launching the Stellar Collection with the amazing TAIT. Pictured is but one of the sculptural screens in the Stellar Collection. More on that to come! Photography Christina Waterson.

Launching the Stellar Collection with the amazing TAIT. More on that to come! Pictured is one of the sculptural screens in the Stellar Collection. I love those shadows.  Photography Christina Waterson.

 

 

My Torbreck Home and Studio of Seven Years. Photography Aidan Murphy.

My Torbreck Home and Studio of Seven Years. Photography Aidan Murphy 2008.

Maybe you’ve noticed I have been extremely quiet of late. I’ve been busy planning, packing and de-cluttering in preparation for moving from my precious Torbreck studio and home of seven years. It was a major undertaking, made more difficult by the success of my creative practice and a very busy 2014. A good problem to have – yes!

I launched my creative business from this studio in 2007. The unique light and outlook at Torbreck has been inspirational. Many of my collections including The Komodo Series 2008; The Bloom Series 2009; Scale Screen 2012; Shadow Set 2012 and Soft Cell 2012/14 were conceived or made as small tentative studies at this special address.

The Komodo Series 2008 by Christina Waterson including (L > R) Study, Solid X-Screen and Plexa Screen 2008. Photography Christina Waterson 2014.

The Komodo Series 2008 by Christina Waterson including (L > R) Poly Woven Study, X-Screen (Solid Edition) and Plexa Screen 2008. Photography Christina Waterson 2014.

Early morning in the studio, April 2014. Photography Christina Waterson 2014.

Early one morning in my Studio, April 2014. Photography Christina Waterson 2014.

2014 Portait Christina Waterson.

A special inspirational place. Me pictured with Fall 2002 and Taking Flight parts 2010. Portrait for 2014.

For me this place represents freedom and escape, light and openness, and I feel many of these aspects are part of the work I conceived and made while residing and working there in the sky. While I am deeply saddened to leave this special place I know an exciting new chapter is just beginning.

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Always home for sunset. Photography Christina Waterson 2014.

A special thank you to Linda, Ty, Alex and David from Torbreck who everyday go above and beyond to make Torbreck a special place to live and enjoy!

 

The Forbidden City

Dream Walking. At the heart of Beijing lies China’s Imperial Palace (from the Ming to the Qing Dynasties), now known as The Forbidden City; home to The Palace Museum. Photography Christina Waterson 2011.

I woke this morning to vivid memories of my visit to The Forbidden City in Beijing. My thoughts were settling on the entry courts and more intimate details all around in screens, soffits and artefacts. I was privileged to visit the Forbidden City as part of my Winston Churchill Fellowship in 2011.

Over the past few weeks I have had flashbacks from this life changing time and thoughts about each person I spent time with; visiting Keiji Ashizawa and his Tokyo studio; my friends at PolyU and SCAD in Hong Kong; Mr Ohashi San in Beppu; Arda in Istanbul… I spent time with such talented and passionate people.

It dawned on me that it’s three years this week since I embarked on my Winston Churchill Travelling Fellowship Research. It’s three years since I started TRACEPATTERN to record and share the experience. The Fellowship broadened my practice. It dared me to dream large and have more belief in my direction and work.  It encouraged me to open out and through this process connect with highly skilled, intellectual and generous practitioners across the globe. Three years on I draw on this experience and knowledge as it continues to resonate through my life and work.

How the time has flown! To celebrate Tracepattern’s Anniversary I’ll be sharing previously unseen photography of the experience and re-sharing a few special posts made during my Winston Churchill Travelling Fellowship.

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HAPPY ANNIVERSARY TRACEPATTERN – THREE YEARS YOUNG!

 

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Launching the Why We Create Series in 2012 at Pin-up Project Space Melbourne. Photography James Braund.

Throughout my creative practice I enjoy sharing knowledge through writing, blogging, lectures, talks and workshops. It may come as a surprise to you just how active I am in this area. It’s an integral part of my practice, if not sometimes the most important.  Why? I feel sharing my perspective and experience in this way may encourage other practitioners, bring perspective to professions about the importance of design and creative thinking; share an understanding of the process behind realising creative projects and encourage people to find their own groove and path in the world.

On the eve of presenting a series of workshops and talks for QUT Art Museum as part of the WOOD: art design architecture exhibition (presently at QUT Art Museum) I reflect on some of the key knowledge sharing moments I have enjoyed along the way.

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Sharing the making and concept behind Tracelet 2012. Photography James Braund.

Since starting my blog tracepattern.wordpress.com in 2011 I have enjoyed writing about creative practitioners’ work as well sharing the background to my own practice and process. During this time I also contributed as a freelance writer and photographer for ArchitectureAU and worked as Creative Director for Howwecreate.

QUT Landscape Design Studio Workshops 2009. Photography Christina Waterson.

QUT Landscape Design Studio Workshops, 2009. Photography Christina Waterson.

Pattern and Tectonic’ Workshops for Brisbane State High School Year 11 Art Students in early 2013 culminated in their annual CREATE event. An Art + Place Workshop and Talk, for Arts Queensland, at Noosa in 2012 led to a chance meeting with architect Phillip Daffara (PlaceSense). My inclusion in a series of Workshops with artists Nicole Voevodin-Cash (Public art and Landform) and James Muller (New media/Film maker) for Montessori International College Students the same year came from this first meeting. The workshops engaged students and staff to use art practices in galvanising concepts, developing guiding principles to articulate the Art+Place vision; and identifying opportunities for integrated artworks within the College’s new campus.

Why We Create's Queensland Launch

Why We Create’s Queensland Launch in 2012 at Trace on James Street.

Side Project Interview with architect Shane Thompson.

SLQ APDL Side Project Interview with architect Shane Thompson. Image Courtesy of APDL.

There have been a host of public lectures and forums each with their own unique focus, content and audience. Most memorable were an SLQ Side Project Interview with Architect Shane Thompson in 2012, Pecha Kucha UNLIMITED Talk (State Library of Qld) in 2010, World IP Day Talk QUT (Kelvin Grove Campus) and Pecha Kucha Vol 01 (Brisbane Powerhouse) in 2008. I recently gave a talk to design students visiting DesignEX 2014. I presented alongside the exceptionally talented practitioners Gordon Tait (TAIT) and Adam Goodrum in a session chaired by Penny Craswell. I so enjoyed seeing Gordon and Adam’s inspirational work!

Bombay Sapphire Design Discovery Award Talk at Redland Gallery in 2008.

Bombay Sapphire Design Discovery Award Floor Talk at Redland Gallery in 2008.

Artist Talks are a lovely way to connect with people and share knowledge on a more intimate level. My most memorable and enjoyable artist talks include one held at the Rosshilli House, Ipswich (Queensland), a Gold Coast Chapter DIA Breakfast Talk in 2010, and a Bombay Sapphire Design Discovery Award Talk at the Redlands Regional Art Gallery in 2008.

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Guest Critic for Bond Uni Architecture Design Studio Crits in 2013. Photography Courtesy of Bond University.

Guest lecturing and critiquing is also important and takes a lot of energy to ensure feedback is specific, clear and relevant to each student and their project. Last week I had the pleasure of being a guest critic for Suzanne Bosanquet’s 3rd Year Design Studio at University of Queensland (UQ). I have been a guest critic across a diverse range of design fields including Architecture Design, Interior Design and Landscape Design at The Queensland University of Technology, University of Queensland and Bond University.

The 2014 Australian Interior Design Awards Jury.

The 2014 AIDA jury (L-R): Paul Kelly, Susanna Bilardo, Hamish Guthrie, Joanne Cys (jury convenor), Geraldine Maher, Victoria Judge, Matthew Blain, Christina Waterson and Ryan Russell. Not pictured is jury sustainability advisor, John Gertsakis. Photography Jonathan Butler. Courtesy of ArchitectureAU.

Being a member of the judging panel for 2013 The Australian Interior Design Awards and returning as a Co-Chair for the Awards in 2014 was insightful, affirming and fantastic to contribute to the design profession in this way. Other guest judging roles I have undertaken include for the 2008 Noosa Regional Travelling Scholarship, and 2012 Launchpad Programme.

You never know the difference made through sharing in these ways. I encourage you to be generous with your time, ideas and perspective when it comes to knowledge sharing. Your biggest legacy may well be how you inspire people to greater things in their own practice.

See QUT Museum’s website for WOOD Workshops in June 2014. I am also presenting a public floor talk on Thursday 12 June 2014 at the QUT Art Museum.

The "Seven With Another" Concept: Fourteen People - Seven Teams - One IDEA: Create something different.

The “Seven With Another” Concept: Fourteen People – Seven Teams – One IDEA: Create something different.

“By inviting seven pairs of creatives from diverse fields to work together, we’re challenging them to look past their vastly different creative processes and skill sets and concentrate instead on what they do best – being creative.” Seven with Another.

The Seventh Edition of Seven with Another once again uniquely matched the pick of local creatives including a Maker and a VFX Director; a Musician and a Tattoo Artist; a Copywriter and an Architect; an Industrial Designer and Fine Artist; an Art Director and Fashion Designer; a Director/Photographer and Textile Designer; and last (but definitely not least) a Multimedia Artist and Performing Artist.

Seven with Another opening event. Photography christina Waterson.

Kory MCAvoy (Art Director, Enginegroup) and Fashion Designer Deanne Mayocchi’s Installation behind. Photography Christina Waterson.

Seven with Another opening event. Photography christina Waterson.

A refreshing mix of guests from a diverse range of professions. Photography Christina Waterson.

Seven with Another opening event. Photography Christina Waterson.

Hailey Bartholomew (Director/Photographer at You Cant Be Serious) paired with Erin Lightfoot (Textile Designer). Photography Christina Waterson.

Seven with Another opening event. Photography christina Waterson.

Hailey Bartholomew (Director/Photographer at You Cant Be Serious) paired with Erin Lightfoot (Textile Designer). Photography Christina Waterson.

“The creative process can be very insular. No matter whether you’re a fine artist, a designer, a developer or a writer, coming up with – and executing – ideas can be a lonely process involving just you and your imagination.” Seven with Another

Seven with Another opening event. Photography christina Waterson.

Marianne Harvey (Copywriter) and Paul Owen’s (Architect) work floats above guests. Photography Christina Waterson.

Seven with Another opening event. Photography christina Waterson.

Maker, Adam Meisenhelter (Doppelfactory) teamed with Zenon Kohler (VFX Director) from Cuttingedge to make the striking cabinet in the background. Photography Christina Waterson.

It is often at the edges that the most exciting things happen and this is where Seven with Another successfully pushes the possibilities of what can come through collaboration;

“The resulting collaborative artworks could be disasterous, or they could be truly mind-blowing, but what they definitely won’t be is boring.” Seven with Another.

Seven with Another’s Co-Founders Monique Kneepkens (Fries Need Mayonnaise) and Jessica Huddart (Creative Director at Josephmark or JM) are just as extraordinary as the creatives they bring together. Their passion ensures each new edition continues to evolve. To celebrate the seventh year, a selection of collaborative duos were invited back from each edition to share their experiences in a series of insightful public talks at the Brisbane Powerhouse.

Seven with Another opening event. Photography Christina Waterson.

Seven with Another’s opening event at the Brisbane Powerhouse, 11 July 2013. Photography Christina Waterson.

The opening night was extremely refreshing because guests originated from a broad range of professions and interests; a true sign of success and Seven with Another’s wide reaching support. The Eighth Edition is expected to once again break new ground; create new conversations between unlikely creative pairings and offer a unique platform to imagine beyond the edges of professions.

For more information on the participating creatives, past editions or upcoming events please visit Seven with Another’s website and Facebook page!

Depth of Field written by Kirril Shields for (Inside) #72 pg 96 -100.

I am proud to share with you an article about my practice just published within the pages of (Inside) #72 Magazine; called Depth of Field, written by Kirril Shields.

It is special to have a treasured moment like this. To share with a wide audience, listen to what other people make of my projects, to reflect, to gain perspective and celebrate the people who contribute to my practice.

Beautiful layout by Niche Media. Special Thanks to Leanne Amodeo (Editor) and Kirril Shields (Writer).

Thank you to my photographers Jon Linkins, Christopher Frederick Jones, David Sandison and Tobias Titz. All have imagery featured in this article (captured over many years). Thank you to clients and collaborators such as Aurecon and Cox Rayner Architects.

Thank you to the makers and suppliers including Palamont: art in manufacturing, Rockpress, Everything Metal, B&S Washers and Reverse Garbage.

Thank you to the venues that hosted the exhibitions and installations including The Brisbane Convention Centre, The State Library of Queensland and Pin-up Project Space, Melbourne.

Thank you to the organisations that have supported research, development, realisation and exhibition of the works featured via Grants, Fellowships and Sponsorship including Arts Queensland, The Brisbane City Council, The Winston Churchill Fellowship Memorial Trust, The Australian Council for the Arts and Howwecreate.com.

Wow!

Thank you to the people that inspire me; peers and confidants. My love to family and friends. Such support!

Yes the list is long. It would be remiss of me to say I did it all on my own. It does actually take many passionate individuals and organisations and in-depth conversation and massive amounts of true belief. 

Inside #72 Cover

You can read the full Depth of Field article online at Australiandesignreview.com or BETTER STILL head to your news stand and get a copy in the flesh. I have to say (Inside) #72 presents a wealth of Australian Design talent including interviews with Kate StokesJohn Goulder, and Design by Them just to name a few…

Waking to Kampong Glam.

Waking up in an unfamiliar place can be really beautiful. The street noises, the comings and goings of guests, and light are quite different and specific to the place. Singapore is no exception.

I am staying in Kampong Glam, the Malay/Arab enclave of Singapore. My hotel is within walking distance of the Sultan Mosque, heritage shop houses, and colourful textile and carpet shops.

I awoke to the sound of an extremely strange noise. A loud wolf whistle, followed by a screech, then another wolf whistle. What the hell was that!

Looking out

I opened the beautiful doors and shutters that front the street and listened for the noise again… and there on the other side of the street was a little house with two bird cages on either side of the entrance.

Beautiful Bird having a little rest as the street wakes up.

I have nicknamed him Gonzo Bird. I have become quite fond of him.

I watched as a man walked past the bird cages. One of the birds let out another sweet loud wolf whistle. This bird has real character! After he let out another deep screech (like a car skidding around a corner), a car lock beep beep noise and another wolf whistle, I broke into uncontrollable laughter.