TRACE The Work = Studies

The Studies 1996 - 2012. Photography by Tobias Titz

I feel all of my work is in a state of becoming. In this way each is a sketch or study for something larger, smaller, in a different material for a different function or simply to be enjoyed in a new way. Cameron Bruhn (the now Editorial Director of Architecture Media) succinctly described my process in his review of my very first solo exhibition RECENT in 2002 in the following way:

FORMS WERE GENERATED UNCONSCIOUSLY BY Waterson’s engagement with the techniques and material of her craft. Like the architect Louis Kahn, she asked the brick what it wanted to be. Waterson’s process answered the question. She probed the physical limits of her materials through a study of structural forces, repetition, spatial manipulation, and scale. She probed the metaphoric through association, subversion, and memory.

extract from The Architecture of Being by Cameron Bruhn 01/02 Artichoke

The small studies pictured above are a selection of my firsts. They are a special record of the very first time my feelings came into being through materials. They are a constant link to the essential ideas, qualities and forces that inform my process and, like a ribbon on my finger, remind me of why I make.

Within the range of studies displayed in TRACE are models for Array 2007 (that became the 20 x 30 metre RAIA Ceiling Installation for the Queensland Architecture Awards) and also little constructions for future works, maybe to become jewellery, screens, ceilings or lights… or all of the above.

Trace 2012. My quick photography as we installed the exhibition. They are so beautiful!

All of the studies are hand-made except one related set Trace 2012 and Crown 2010. They are my first experiments using SLS and 3D Printing. I worked with architect Domenic Mesiti to ‘trace’ Crown (Part of the Komodo Series),  simplifying the parts down to a continuous surface; like draping a soft material or skin over the bones of the original form. Trace at the presented scale is close to the size of a bracelet – but could be scaled up or down. Patricia Lee, Talented Product Design Officer at Palamont, prototyped TRACE bracelet for the exhibition.

Special thank you to Domenic Mesiti and Patricia Lee for their amazing skill, expertise and professionalism.

Norman Johnson (How We Create and Manager of Palamont) and Patricia Lee (Talented Product Design Officer at Palamont) prototyped TRACE bracelet for the exhibition. Photography by Tobias Titz.

  1. Kevin Oh said:

    WOW~!!….you are totally gifted!
    I really enjoyed reading your blog today…’s been bookmarked~~!
    Good to see you back to Brisbane with your lovely smile~…so….do you like my coffee?

    • Thank you Kevin.
      So glad you enjoyed. Many of the blogs I wrote when I returned to Australia actually happened in your Cafe over a few coffees and Esta’s Avocado Pesto on Sour Dough. You may say I am powered by Kerith Brook Cafe.

      Yes and I love Your Coffee!!!

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