What happens when you’re in a city like Kyoto where there is so much to see and the topography is fairly even… you get on a bike!
Bundaberg, where I grew up, is very flat. It has one hill, The Hummock, an extinct volcano. Its so flat that as children we would lie on our backs in the field, and looking back towards the horizon, see the curve in the earth. Kyoto central (whilst surrounded by mountains) is fairly flat, so perfect for biking it.
Having visited Kyoto before, I was aware that moving experiences surface when you least expect them; when you are between origin and destination. Biking offered the best way to be open to these in-between discoveries.
I was headed to Sanjūsangen-dō, a Buddhist Temple known locally as Rengeō-in or Hall of the Lotus King. The interior of the Temple is divided into thirty-three bays by sets of columns. The hall houses 1000 statues of the Bodhisattva Kannon. Each may manifest into thirty-three forms to take flight and ward off evil.
Photography inside the temple was prohibited. Japanese Photographic Artist, Sugimoto Hiroshi, was permitted to photograph the interior for his work Sanjusangendo – Hall of 33 Bays. I still remember the first time I saw this work, first hand, while working at The Queensland Art Gallery. It echoed the experience of the place: a calmness; an eternal drawing out of time and space that you can almost hear rising out of the dark.
A Great Day in Kyoto!
See Sanjūsangen-dō official website for Interior views.